Have a boyfriend.

Need an Agent.

what’s new?

That Production Company We’ve Been Putting on All Those Posters? Yeah, We’ve Got an Instagram Now.

Finally, we have more legitimacy than just an LLC. Take that, IRS.

Thanks to our incredible team, our company Instagram is live and ready to be updated with all the ridiculous projects coming up in the fall. Our responsible, corporate-trained partners are going to be working day and night, posting quality content about the behind the scenes process, on top of letting everyone know exactly where and when to find our tickets and casting calls. Me? I’ll be working just as hard to slip a tasteful nude of Stanley Tucci onto our story without anyone noticing.

This week, I wrote…

How To Do Debauchery Without Dying: Solo Travel and the Art of Finding Trouble

Am I fearless? No, I’m stupid, but still, I can count on one hand the number of times I’ve genuinely felt unsafe. There’s a difference between brave and reckless, and baby, the sweet spot lives somewhere between doing Molly you bought from a cab driver in Ibiza with a group from the hostel (brave) and crossing against the light in Rome without checking for Gay tourists on Vespas (reckless).

Ciao, bella— straight to il hospital.

on leaving


About

Me

Electra Artemis is a New York City-born and raised Playwright and Screenwriter. She holds a bachelor's degree from Wellesley College, where she majored in English and minored in Astronomy.

She is a founding member of the Resident Dilettante production company and has written and produced several plays in New York and abroad. Her work has been shown in the Emerging Artists Spark Festival in New York City, and her play, How to Build a Gate, was recently featured as a finalist in the Soho Playhouse Lighthouse Festival. She’s excited to be revisiting an old favorite, The Rug: A Grief Comedy, for the Emerging Artists Spark Festival’s Fall season, and is equally thrilled to be joined by an incredible team of familiar and fresh faces.

Her new short film, To The Floor, is coming out of post-production and is currently being submitted to festivals.

work

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